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A class of music that manifested in the late 80s during the post punk era and defined by emerging underground bands such as Ministry (pre-heavy metal i.e. Twitch, Land of Rape and Honey) (and other Alien Jourgensen side project bands), Skinny Puppy, [Nine Inch Nails], KMFDM, Nitzer Ebb, Front Line Assembly, Front 242, Bigod 20, etc etc... mostly of American and European origins and became more refined by the early 90s. With a telltale trade signature characteristic of using samples of mechanical sounds found in [real world] industrial work places. Clanging sheet metal, grating [circular saw] and metallic crash sounds being typical. The drum machine, the sampler, the vocoder and the synth being tools of the business sometimes incorporating distortion amp/guitar as well. In addition the use of samples of well known movie sound bytes originating from old Outer Limits/Twilight [Zone], horror movies, old westerns, cult films, etc etc were/are used. At times the pace of the songs are danceable i.e. clubby but at other times it is more of a mosh pit pace experience.
And was pretty much the music of a counter-culture group of stereotypes that were labeled as either punk, death-rockers or [alternative]; in addition to the anti-racist skinhead types.

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