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In the late 1950s and early '60s, songwriters like the classically-trained Antonio Carlos "Tom" Jobim and the soft-voiced guitarist João Gilberto created a smoother, jazz-influenced version of the Samba - which itself was a product of the nation's poorer classes. Middle-class Brazilians preferred the newer sound, which was dubbed Bossa Nova, or "The New Way." Bossa Nova is velvet [sophistication] atop a feathery five-against-four rhythm, and is most famously epitomized by Gilberto's "Girl from Ipanema." American jazzmen like Stan Getz - who went on to collaborate frequently with Gilberto and Herbie Mann visited Brazil and brought the Bossa Nova to [international] attention. Some commercial distortion followed, but Bossa Nova continues to influence modern [Brazilian pop] and other regional styles today.
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