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Sub-genre of heavy metal that was developed throughout the 80s and early 90s. Venom's 1982 release, "Black Metal," is [responsible] for coining the term. The LP was full of Satanic camp, sloppy playing and raw production, as well as singer Cronos's growled vocals. By 1983, Hellhammer had formed and played an even more minimal style than Venom. As they matured, they changed their name to Celtic Frost and would [eventually] become known for transcending several extreme styles, including thrash metal, black metal, death metal and doom metal.

Bathory is perhaps the most notable black metal group from the 80s. The first three albums ("Bathory," "The Return," and "Under the Sign of the Black Mark) provided the listener with buzzsaw guitars, low fidelity production, shrieked vocals and simplistic phrasing, making Venom seem tame in comparison. By the end of the decade, frontman Quorthon had taken the sound into a "[viking metal]" direction, slowing down the tempo and distancing itself from Satanic overtones.

There were other groups in the 80s that were [influential] to black metal, including the thrashy sound of Sodom, the Venom-esque aggression of Italy's Bulldozer and the traditional sound of Mercyful fate, whose frontman King Diamond was among the first to wear the Kiss-like makeup that has become known as "corpse paint."

[In the early] 1990s, Norway would be primarily [responsible] for the development of second wave black metal. A number of musicians who felt that death metal had become stagnant decided to separate themselves from the flock by paying tribute to 80s black metal while establishing new ideas for the young genre. Darkthrone, Burzum, Mayhem, Emperor, Immortal, Enslaved and Satyircon all began releasing albums that, while individually unique, had many of the same elements. This included extensive use of tremolo picking, open string playing, standard tuning, shrieked vocals, and lyrics focused on occultist themes. Additionally, pinch harmonics and palm muting were rarely heard. Several of these musicians were also known for burning down Norwegian churches, perhaps as a way of protesting the prominence of [Christianity] in the area. Another controversial element of black metal were groups such as Absurd and Graveland, who had [National Socialist] leanings.

Outside of Norway were a number of [influential] groups, such as Dark Funeral, Beherit, Impaled Nazerine, and Behemoth. Other groups such as Mystifier, Archgoat and Belphegor, successfully combined black and death metal. Other fusions include ambient black metal (early Burzum, Blut Aus Nord) and folk metal (Finntroll, Korpiklaani). And much like melodic death metal, there is also a melodic branch of black metal (Graveworm, [Rotting Christ], Dimmu Borgir). Recently, groups such as Forgotten Tomb and Amesoeurs combine shoegaze/emo with black metal, an unlikely combination, perhaps a reflection of black metal's occasional commercial appeal.

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