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A movie (and book) about a Texas bumpkin who stumbles across $2 million, heroin and a slew of dead drug dealers in the desert. Rather than doing the civil deed of contacting authorities, the bumpkin steals the money and is subsequently chased by a silly-lookin' fella with a bad haircut. Although (we're told) the bad haircut dude kills anyone who inconveniences him, the case rule exception is morbidly obese beauty queens at [trailer parks]. As all of this is [going on], a small town codger sheriff chats with people and occasionally investigates the case, but otherwise has little to do with the bumpkin and the bad haircut dude.

By the end, the audience has just witnessed the same allegories, cliches and plot holes of cinema in the past 60 years (although the film's apologists claim we just "didn't get it", and that the movie has a profound, cryptic meaning - which is often their own [interpretation].) While "No Country" did gain a [significant] amount of critical/award acclaim, reception was actually much more polarized, evident by the defensive/flamebait nature of the film's defenders.

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