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Apatovianism is a recent counter-cultural movement that invokes the seeming spirit of elevating cinematic discourse with recognized films of artistic merit in order to pervert the experience for new viewers, and the overall cinematic legacy of the works in society, by discussing them in prosaic and brain-numbingly subversive analysis.

The [ultimate goal] being that every last film ([either] new or old) regarded as progressive or "different" is ruined before the eyes of newcomers that have not had the viewing experience before reading an analysis by an Apatovianist agent.  The Apatovianists believe first-impressions are key in impregnating a [psychological] deterrent.

This is all done so that the market-fare cinema is that much more appealing to the mass public and firmly fortified.  And the films of artistic merit...that much more [compromised] and deadened by Apatovianists.

Judd Apatow is the fountainhead symbol of this movement based purely on a pop-cultural standing as being a notable director among market-fare cinema.

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