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Someone bought more burgers and fries than they could eat at a drive-thru McDonald's in the boondocks.  Thirty miles [down the road] they tossed the leftovers out the window.  The leftovers fermented in the sun and five days later a great big dog wandered by, thought the mess smelled appetising and ate it.  The meal played havoc with the dog's nervous system and it went quite wild.  The next time a car came by the dog took a flying leap through the windscreen at a relative speed of almost a hundred miles an hour, killing itself and likely the driver and sending the car [out of control].  The car flipped over four times and lay on the road, subsequently [catching fire] and burning out.  A milk lorry came [over the top] of the hill and crashed into the mess, and was followed by five or six more [vehicles] before the authorities got the faintest notion what was going on and partitioned the area off.  Shortly afterwards a Boeing 747 carrying, among other things, a few large containers of [yellow paint] suffered a blowout and had to descend.  The paint squirted out of the plane and splashed down on top of the pile-up.  A hitch-hiker came by with a camera and thought the whole thing looked intriguing.  He took some pictures and downloaded them onto his computer later on.  The pictures were [Photoshopped] to look a little spooky and later printed in this new form on T-shirts.  The photographer's girlfriend wore one of these to an art gallery and he photographed her pulling faces and balling her fists while wearing the T-shirt.  Later on, these photographs were projected onto a screen in a display room in another gallery and a painter executed a painting of people in the room watching the slide show.  Shortly afterwards everyone involved in the production of all this art - the hitchhiker [photographer], the girlfriend, the painter, and all - had the good sense to overdose on cocaine at a party and die shortly thereafter, thereby sensibly removing themselves from the means of production and terminating their financial interest in the process.  The painting was sold for £300,000 at Sotheby's and artie journalists claimed it was emblematic of the ultimately existentiallistically meaningless search for meaning within the postmodernist aesthetic.

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