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Chinese world view also rested heavily on yinyang principles. Yinyang was a [philosophical] view in Chinese society of a unity of opposites, each [representing] the greater and lesser of similar concepts, which one found in the [universe]. An example would be the yinyang representation of husband and wife. Yang are the dominant principles of maleness, the sun, creation, heat, light, Heaven, dominance, and so on. Under yin are the submissive principles of femaleness, the moon, completion, cold, darkness, material forms, submission and etc… This unity of one greater principle over a lesser one moves in cyclical path so that no single one is all dominant. These yinyang principles were part of a larger [philosophical] view of a cosmos (our universe) that was “self-contained, self-operating, spontaneously generating and perpetually in motion.” The Chinese viewed everything in this cosmos as a series of interrelating objects and forces that worked and “resonated” with one another, creating harmony and order. This proceeded off of the Taoist principles of a natural and unified cosmetic pattern.

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