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A critical theory proposing that contemporary society—through a combination of ecological dread, economic precarity, cultural nostalgia, and technological saturation—has lost its capacity to imagine a collective future worth striving for. The future is “cancelled” not because time stops, but because the narratives that once gave it shape (progress, utopia, generational improvement) have collapsed. What remains are recycled pasts, apocalyptic forecasts, or endless presentism. The theory explains why cultural production fixates on reboots and nostalgia, why politics retreats to safety rather than aspiration, and why even visions of technological salvation feel more like survival than flourishing.
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